Hercules at the bat
A Bat Wants to be Swung. Grip its handle with both hands, hold it out in front of you, and feel the tug of its top-heaviness. Lift it up, and
Hercules at the bat Read More »
A Bat Wants to be Swung. Grip its handle with both hands, hold it out in front of you, and feel the tug of its top-heaviness. Lift it up, and
Hercules at the bat Read More »
Novelist Jonathan Franzen told Time Magazine why he does not write about race: ““If you have not had direct firsthand experience of loving a category of person – a person
“Strange Apparent Cruelty” Read More »
At Newark airport boarding my flight back to Chicago, I studied an old copy of Arthur Waley’s The No Plays of Japan (Grove Press, 1957, priced at $1.95). I was
“Mingling with the Mists of Heaven” Read More »
“Pericles” (now at Brooklyn’s Theatre for a New Audience” directed by Trevor Nunn (http://www.tfana.org/season-2016/pericles/overview) and starring Christian Camargo) is full of incident. It is an exotic tale of riddles, incest,
“Is not this strange?” Read More »
Shakespeare’s comedies are social experiments. His wild plots submit characters to the trial of whatever can happen. So he strips selves from their social identities and reveals both psyche and
“Believe then, if you please, that I can do strange things” Read More »
Having resolved this year, the 400th anniversary of Shakespeare’s death, to experience in any way, shape, or form the bard’s entire oeuvre, my first was Shakespeare’s reputed last, “The Tempest.”
“Something rich and strange” Read More »
The Belarus Free Theatre’s “King Lear” (https://www.chicagoshakes.com/plays_and_events/belarus_lear) can be hard to watch. Performed in Belarusian, you have to continually shift your eyes from reading the supertitles above the stage to watching
“World, world, O world!/… thy strange mutations make us hate thee” Read More »